DOPPLEGÄNGER AND ZOMBIES

AMBIENT COOLING PROTOTYPE

GHOST OF GRAINGER

THE FIELD - XR EXHIBITION

EUDOXIA c.1300: FoDR MSDx


CONTESTED STATES

VILE COAL

THE THIRD STATE

CONSUME 1.2

GIFT TO THE CITY

Mark

DOPPLEGÄNGER AND ZOMBIES


2022

Loc_Adelaide, Australia



Artist Rochus Hinkle
Digital Designer Melissa Iraheta
Fabricator Mitchell Ransome

Craftship and arts, design and fabrication have shifted dramatically in the Digital Age. From New Materials, Avatars, Crypto Currencies, GANs, Metaverse, and Non-fungible Tokens (NFTs), to Lidar Scanning, Virtual and Augmented Reality (VR and AR), and Additive Manufacturing – all are expressions of the potentials of 21st century’s digital technologies and platforms. These technologies are used in ways which leave us in awe and astound at the same time. They also enable the creation of bespoke artifacts and explicit archetypes, enabling parallel and alternate realities, imaging and curating other versions and interpretations of our world.

The exhibition Doppelgänger and Zombies presents new artworks that are created based on 3D scans of masterpieces from David Roche’s 18th and 19th century collection of decorative arts objects. The works are based on processes that critically and artistically explore and test the promises and potentials as well as the limitations and handicaps of digital technologies. Exquisite physical and digital artifacts are developed and fabricated, using 3D scanning and printing, CNC milling, 360 degrees photography, photogrammetry, digital modeling, rendering and image manipulation software, algorithms as well as augmented and virtual reality.

Doppelgänger and Zombies presents a collection of physical and digital artworks of surprisingly playful, highly crafted artworks, based on the application of cutting-edge digital technologies for their fabrication. Concepts and meanings are developed through an investigative and associative approach, using story-telling and the staggering of ideas that enrich the works and help develop their meanings.

Text by David Roche Foundation.

Exhibited at the David Roche Foundation, 2022.




Mark